The album cover’s photograph reads “Irish Singer-Songwriter”, a title I can only imagine most Singer-Songwriters detest. Crap boring, acoustic-guitar-shite is what it spells out, to me anyway, but maybe that’s what he was going for.
The album actually opens with some lovely melancholic piano and I enjoyed listening to Flannery’s gruff, pensive voice. Similar to the most famous singer-songwriter of them all a female voice (Yvonne Daly) is used for harmonic purposes from time-to-time.
As would be expected the songs range from slow to medium in tempo, you’ll probably recognise Tomorrow’s Paper, a catchy, fun time song from somewhere...I can’t actually figure out where I heard this song before, probably an ad for a bank or maybe just on the radio, anyway it’s good.
I also really liked What Do You See, a song with country roots vibes flowing through it; it was a welcome change from the slow paced songs surrounding it. This album is one for those alone/late-night times, I liked it a lot and I really wasn’t expecting to if I’m being particularly honest.
There’s a nice mix overall right the way through the album between piano, guitar and offbeat melodies. I am not too familiar with the Irish singer-songwriter scene, I am more familiar with bands so for all I know there are hundreds more well produced albums like this out there.
Emer Molloy
Articles of the week
These are the most super fantastic articles of the whole entire week.
Meryl Streep portrays a gigantic woman made of an iron/titanium alloy that proceeds to destroy Britain until she is befriended by a small boy who gifts her a magical cobalt suit which frees her spirit from its iron prison.