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Coriolanus Review

It was over a decade ago that Baz Luhrmann attempted to bring Shakespeare into the modern era so that the kids, as well as old English professor types, could find it interesting. The result of that experiment was Romeo & Juliet; a fairly divisive film to say the least, but one that was saved from mediocrity by having an amazing cast, a great soundtrack and being based on one of the most well known stories of all time.

So here we are in 2012 and Ralph Fiennes is attempting to do the same with a much more obscure Shakespearean play, what will the results be this time around? To sum up; not great. Coriolanus is an interesting enough story; it tells the tale of a General in the Roman imperial army who is loved for his heroic deeds on the battlefield against Rome's enemies, but whose detestation for the common people and his reluctance to hide this fact makes him a figure of hate to the general population.

Things come to a head when after a particularly glorious victory against the barbarian hordes threatening Rome, politicians try to use Coriolanus for their own selfish means (not much has changed since ancient Rome apparently) the result of which leaves him banished from the home that he fought so hard to protect and out for revenge against Rome and her people.


It was a fairly small fish.


Those pockets are full of sweets.

Coriolanus actually does a lot of things well; the acting in this film is of a very high standard and even if the dialogue can get a little confusing( it keeps the original text from the play) it does not require a PhD in English Literature to comprehend what is being said by the characters on screen.

Ralph Fiennes (Harry Potter, In Bruges) brings his usual intensity to the lead role and does a good job in holding your attention while Gerard Butler (P.S. I Love You) is on show doing his best 300 impression as Coriolanus's mortal enemy whose only goal in life is to see him dead. The supporting cast is made up of so many actors whose faces you will know but whose names will elude you it seems almost intentional, that guy from Cold Feet even shows up at one stage, and they all do their roles justice.

Special mention must be made for Lubna Azabal, a name it is doubtless nobody has ever heard of but who may in fact be the most annoying actress ever to grace a screen, so great is her annoyance that during a scene where Coriolanus is actually being a bit out of order to Rome's good people she instantly dissolves any pity you had for the common folk with one line of dialogue.


The chair represents obscurity.

In the end though it is Coriolanus's modern day setting which ruins it the most, unlike in Luhrmann's film where the director attempted to make the cast's unfamiliar way of talking seem like an extreme form of youth slang; here it is just two worlds separated by hundreds of years squashed awkwardly together. Yes the action scenes are on par with many full blown Hollywood ventures but more often than not its modern day setting detracts from what you are seeing.

In one particular scene Coriolanus is confronted by his family for his vendetta against Rome and for the entire scene Fiennes is sitting in a barber chair spray painted gold! I have no idea what this supposed to be in the original play and found myself wondering that for the duration rather than paying attention to the film itself.

Coriolanus did its job in many ways too though, I am now more inclined to see this play should I ever happen across it, it really is a fascinating story, but the film as it is will not please Shakespeare fanatics nor will it entice people unfamiliar with it to part with their hard earned money. Fiennes somewhat foolishly tried to please everyone and ended pleasing nobody at all.

5/10


Vincent Harte

 

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